Life is quite different since I last posted and with most of Minnesota stuck at home I’m getting lots of orders for kits and requests for new projects. Since many of my classes have been postponed I’m busy filming and experimenting with new bracelet (and necklace!) designs I hope to hatch in April.
I’ve been receiving an uptick in emails from students and clients from all over the globe sharing photos of finished bracelets. Emi Sawaishi is a maker from Japan who has kindly allowed me to post her earring and bracelet photos.
I also received the loveliest compliment from my client Tiina regarding the New York Times “Echoes of Scandinavia” article about Sámi craft and culture by Penelope Colston. If you didn’t get a chance to read the article here’s a link: Follow the link to the complete article: Link
“I loved the Times article. My entire life nobody but my husband knew who are the Saami people so I would say, when asked “I’m Finnish “ . You wouldn’t believe that about 85-90% of the people who asked my ethnicity would reply, “Finnished with what?” This doesn’t happen today because of the awareness that people like yourself are bringing to the American public, so thank you”
I get so much inspiration from all of my students and clients it’s hard not to sit down and make a few bracelets myself.
If you are a happy crafter enjoying the solitude of your home at this time check out our kits and our instructional videos for individual styles and downloadable pdf’s. Please let me know if you have questions or require different bracelet lengths.
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New York Times Interviews Liz Bucheit about Sámi Culture
Happy Spring (almost)
This year started off with a bang for everyone here at
I had the pleasure of being interviewed by New York Times journalist Penelope Colston for her “Echoes of Scandinavia” article about Sámi craft and culture. Ms. Colston contacted me this past December about her upcoming piece and I am thrilled to have been included.
Who knew reindeer were strutting the streets of Manhattan! Many thanks to Ms. Colston for a fantastic
piece highlighting traditional and contemporary aspects of Sámi culture and
I started an experiment creating a cuff style leather
bracelet that doesn’t require a button. What sorcery is this you say? Well,
it’s amazing what a few days of being snowed in can do when you are alone in
Check out this two tone cuff with the ruffle edge. The leather is sewn around (you guessed it) a metal cuff!
The stitching and finishing were a bit of a challenge and I haven’t quite perfected the bracelet ends just yet but I think the prototype looks promising. The interior leather lining is great for people with metal allergies and easy on the fingers for folks who have trouble with button closures.
I want to thank all of you lovely folks for a fantastic
2019! We are busy developing new and
advanced bracelet kit style offerings and upgrading our products to bring you
the best in 2020. Stay tuned for amazing kits featuring multiple strand braids
and twists for wider bracelets, repair tips and tricks and much more!
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enjoy 20% off your first order. Questions?
We love to talk about our products, classes and information. We’re here to troubleshoot and assist you with your projects. We’d love to hear from you!
August is here and we’re moving into the “dog days” of
summer. It’s been pretty hot here in Southeastern Minnesota so I’ve been
working on several new projects in my sweet air conditioned studio!
I’m always developing new ideas for different kits so here
are a few new upcoming design offerings I’m working out. I prefer Sámi inspired
traditional leather dyes but I’ve been experimenting with brighter colors
(you’ll notice the Prince inspired bracelet!) and more creative bracelet
We’re also in preproduction mode for several new videos demonstrating more intricate braiding, beading and sewing techniques so stay tuned for those to drop in early September.
I mentioned in my previous blog we are already booking class dates beginning in January 2020. There are still opportunities to take a class before the end of the year so check our remaining calendar dates and start gearing up for Xmas!
If you prefer to learn with your gal pals or fellow creatives, we can schedule a class date for your group in our beautiful Lanesboro, MN studio. Call us at 507-467-3078 for details.
Working on some cool projects of your own? Post your pictures on our Saami Inspired Facebook Page and email me your images for a potential feature spot in one of our upcoming blogs! I’d love to see what you’re working on.
Every time I teach aclassmy students inspire me to come up with different variations of braiding and weaving using pewter thread. Here are a couple of projects I’m currently working on that combine Celtic and Nordic influences.
This pattern is nicknamed ‘Viking Star’.
There’s also this fancy ‘Josephine’ and ‘Viking Star’ combination.
What’s in your imagination these days? Share your latest projects with our community on our Saami Inspired Crafts Facebook page!
Winter has been long here in the Midwest so we’ve had lots of time to work on developing some unique and exciting bracelet kits. We are also stoked about our new corresponding instructional videos to help you with your individual projects. Whether you are buying a kit or want to purchase pewter thread or other materials individually, our videos will help you measure out the proper length of materials for different braid styles without the waste.
Our Four Strand Double Braid Bracelet kit provides the materials to create this beautiful dense weave. If you have purchased our original Saami Inspired Double Braid Bracelet Kit and are ready to be challenged this is a great project to expand your skills.
The Four Strand Double Braid method is also an introduction to the myriad design possibilities you can explore. Try substituting one of your pewter thread strands with our 1.00 mm round colored leather cord. You can also try round silk cord, ribbon or even beads! If you find styles online and need help figuring out what to order in terms of length for particular braids don’t hesitate to contact me.
I’m happy to answer your questions so please leave me a comment and if you haven’t subscribed, please do and get 20% off your first order!
We have survived driving in the snow and rain to host our classes this past winter and I am excited to announce our Sami Inspired Bracelet class schedule for 2019. The number one question I get asked by my students is ‘where else do you teach?’.
We have taught classes for weaving and textile guilds, conferences, private parties, museums, folk schools and even Scandinavian specialty shops. The number two question posed by my some of my students is ‘what is a folk school?’. I love this question because some of my skills are the direct result of having attended a folk school myself.
The folk school model is a tradition associated with Scandinavian countries where life long learning is part of the culture. That means folks don’t stop taking classes after they’re out of school. Discovering and building things by hand regardless of age or gender strengthens community and brings people from all walks of life together in an environment where everyone is free to be creative.
Folk schools also give people an opportunity to work with their hands and try something new or hone skills they might already have. Folk schools keep the legacy of craft traditions alive by offering classes in a relaxed environment with talented local and regional instructors as well as international teachers. I was lucky enough to attend Raulandsakadimiet in Rauland Telemark Norway in order to learn traditional filigree and metalworking techniques. However, you don’t have to travel to Norway (although it’s pretty sweet!) in order to experience a folk school environment.
For example, we’ve been teaching at the North House Folk School in Grand Marais, MN for over 16 years and it is the first established folk school in Minnesota to offer classes celebrating Northern European craft. You can take a variety of classes including blacksmithing, silversmithing, boat building and timber framing as well as a variety of jewelry classes. The campus is right on the shores of Lake Superior and the view from many of the classrooms is stunning. This is the first folk school where I began teaching Sami Inspired Bracelet classes. Since then we’ve taught at a variety of venues where we are invited to teach annually. Our current schedule includes some new venues so you have additional dates to choose from if you are busy planning your upcoming summer and fall getaway.
The Marine Mills Folk School located in Marine on St. Croix, MN is a brand new facility. Their mission is ‘to support and strengthen connections by inviting all people to discover the joy of creating together through traditional arts and crafts’’ I was thrilled they contacted me to be their first Sami Inspired Bracelet class instructor and we are already busy planning additional classes and dates for 2020.
As I mentioned, we recently braved a swathe of cranky Minnesota weather to teach at the Marine Mills Folk School for the first time to a group of determined students who wanted to know more about the craft as well as the Sami culture. Students asked questions like, ‘is it okay to use the term ‘Sami tribe’ or ‘Lapplander’?” (which are not culturally acceptable or accurate descriptions) or “what is the origin or history of pewter spun thread?”
My students and I also shared and exchanged several resource books on the Sami culture for further reading and information. So if you are looking to learn something new in a low stress, hands-on class with like minded people interested in traditional crafts, the folk school environment is for you! Check out our class schedule for 2019 and contact me with any questions you may have. Classes fill quickly especially in the summer so register at your preferred venue early.
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Saamisupplies.com Now Offers Imitation Reindeer Hide and Kits.
It never ceases to amaze me how I continue to learn from my students. I recently returned from an instructor’s retreat at the North House Folk School in Grand Marais, MN where I took a class in Aniishiinaabe style moccasin making from the very talented Marcie McIntire.
Funny thing, I found myself saying exactly what my students say during the course of my Saami Inspired Bracelet Classes. Things like “Am I doing this right? Can you check my work? How long does it take you (the instructor) to complete a pair of moccasins?” It’s easy to forget we are all students at one time or another and the experience taught me to listen more and be as empathetic as possible during the course of my classes.
I’ve also taken to inviting my students to give me suggestions about additional materials, tools and techniques.
One suggestion came from our client Chris who wanted an alternative material instead of reindeer hide to make her projects. After a bit of research we found the perfect solution.
We are now proud to offerimitation reindeer leather bracelet kits in a variety of colors! Instead of genuine antler buttons, kits will includepewter “replica” antler buttons in addition to needles and thread. These bracelets make great graduation, confirmation and birthday gifts for women and men. Try a beginning kit out today and stay tuned for more kit variations to come!
Happy spring everyone! We are excited to add some new products to our ever growing inventory of exceptional products.
Want to use a bit of “spring” when weaving and braiding? Try our lightweight plastic crafting clamp. This is a handy tool if you like to craft on the go. The handles have holes on each of the handle ends that are perfect for hooking your paper clip.
This is a great help so you can maintain even tension while you are working your pewter thread. The plastic pads on the clamp jaws won’t mar your surface. I’ve even used this clamp on international flights when I’ve wanted to work on my projects since I can attach it to just about anything until the “captain requests you to return your table tray to its upright position”!
Try some different button variations with our new antler inspired pewter buttons. These buttons are metal versions of the traditional reindeer antler variety and are one of a kind. Use them to add a “surprise” sparkle and polish to your creations.
We’ve got lots of exciting things happening with class offerings and private parties so make sure to check out our class calendar or call us for information on booking a personal venue or reserving a date for our Lanesboro, MN studio.
A History of Tin Thread Embroidery of the Sámi People
We love pewter thread for the distinct and unique properties that make it so wonderful to braid and weave when creating bracelets and necklaces. The coiled thread is soft and holds its shape after years of wear.
However, did you know that the use of coiled thread to decorate clothing and everyday items has been around for centuries? Small fragments of gold coiled thread have been found in Viking graves outside of Uppsala dating back to almost 3,000 years ago.
Historically the art of sewing silver, gold and even bronze thread to cloth and leather can be found around the world. There are examples to be found throughout a myriad of cultures including textiles and objects from China, Japan and India.
The Saami people of Norway, Sweden, Finland and Russia have been using tin thread embroidery since the 1600’s and the designs and patterns are specific and unique to the many Saami groups within the culture. In particular, tin thread embroidery is used to adorn the many styles of traditional Saami clothing called gákti. Here are some examples from my Pinterest page.
Sadly, tin thread embroidery almost disappeared in the 1800’s when Saami groups were being forced to assimilate to modern Norwegian and Swedish culture. I just finished watching the film “Sámi Blood” this past week and I highly recommend it to anyone who would like to know more about this period.
Fortunately, around 1905 a gentleman named Andreas Wilks from Sweden brought tin thread embroidery back to the forefront of Saami culture after discovering his mother’s tools for creating the distinctive coiled thread. He began teaching classes throughout Northern Sweden and managed to prevent this beautiful craft from disappearing altogether. *(From Tin Thread Embroidery by Mona Callenberg 1997)